[FreeCourseLab.com] Udemy - Music Theory Comprehensive Complete Part 4, 5, & 6

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[FreeCourseLab.com] Udemy - Music Theory Comprehensive Complete Part 4, 5, & 6

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文件列表

  • 3. Using Modes/4. Analysis Missa Pange Lingua (Choir).mp4 42.5 MB
  • 9. Welcome to Part 5!/1. Introduction to Part 5.mp4 40.9 MB
  • 3. Using Modes/2. Analysis The Simpsons (TV Theme Song).mp4 40.4 MB
  • 5. Consonance and Dissonance/4. Analyzing Intervals.mp4 29.3 MB
  • 24. Harmonizing Melodies/3. Danny Boy (Example).mp4 28.9 MB
  • 17. Welcome to Part 6!/1. Introduction to Part 6.mp4 27.2 MB
  • 1. Welcome & Overview/1. Overview.mp4 27.1 MB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/3. The History of Modes.mp4 25.6 MB
  • 15. Fifth Species Counterpoint/2. Writing Free Counterpoint.mp4 25.3 MB
  • 13. Third Species Counterpoint/1. Four-to-One Counterpoint.mp4 21.3 MB
  • 12. Writing Second Species Counterpoint/2. The Melody Notes.mp4 21.0 MB
  • 7. Writing Note-To-Note Counterpoint in Strict Style/2. The Middle.mp4 20.1 MB
  • 23. Voice-Leading on the Dominant/2. Other Voice Leading Requirements.mp4 20.0 MB
  • 5. Consonance and Dissonance/2. Resolution.mp4 19.5 MB
  • 9. Welcome to Part 5!/5. Review First Species Counterpoint.mp4 19.0 MB
  • 14. Fourth Species Counterpoint/1. Rhythmic Displacement.mp4 18.7 MB
  • 12. Writing Second Species Counterpoint/3. Harmony.mp4 18.2 MB
  • 6. Introduction to Counterpoint/6. The 4 Types of Contrapuntal Motion.mp4 18.2 MB
  • 5. Consonance and Dissonance/1. Consonance and Dissonance in Intervals.mp4 17.3 MB
  • 18. Composing in an 18th Century Style/2. Types of Motion.mp4 16.7 MB
  • 7. Writing Note-To-Note Counterpoint in Strict Style/4. The Rules All Wrapped Up.mp4 16.7 MB
  • 19. Melodic Embellishment (in Chorale Textures)/1. Non-Chord Tones.mp4 15.6 MB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/2. How Modes Work.mp4 15.5 MB
  • 6. Introduction to Counterpoint/5. Connecting Harmonic Intervals.mp4 15.5 MB
  • 11. Melodic Embellishment in Second Species Counterpoint/1. Passing Tones.mp4 15.1 MB
  • 6. Introduction to Counterpoint/1. What is Counterpoint.mp4 14.4 MB
  • 24. Harmonizing Melodies/1. Harmonic Rhythm.mp4 14.3 MB
  • 18. Composing in an 18th Century Style/6. Starting Intervals.mp4 14.1 MB
  • 4. Deeper Into Intervals/3. Compound and Simple Intervals.mp4 14.0 MB
  • 11. Melodic Embellishment in Second Species Counterpoint/3. Neighbor Tones.mp4 14.0 MB
  • 23. Voice-Leading on the Dominant/1. Resolving Leading Tones.mp4 13.8 MB
  • 19. Melodic Embellishment (in Chorale Textures)/3. Example Analysis.mp4 13.7 MB
  • 4. Deeper Into Intervals/7. Augmented and Diminished Intervals.mp4 13.4 MB
  • 12. Writing Second Species Counterpoint/1. First and Last Measures.mp4 13.2 MB
  • 20. SATB Composition/5. Doubling.mp4 13.2 MB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/5. The Dorian Mode.mp4 13.1 MB
  • 1. Welcome & Overview/6. Review Session Major and Minor Scales.mp4 13.1 MB
  • 20. SATB Composition/6. My Country Tis of Thee (Example).mp4 12.8 MB
  • 1. Welcome & Overview/7. Review Session Diatonic Chord Progressions.mp4 12.6 MB
  • 6. Introduction to Counterpoint/8. Parallel Fifths and Octaves.mp4 12.4 MB
  • 15. Fifth Species Counterpoint/1. Free Counterpoint.mp4 12.2 MB
  • 14. Fourth Species Counterpoint/7. Consonant Suspensions.mp4 12.2 MB
  • 18. Composing in an 18th Century Style/3. Chordal Dissonance.mp4 11.9 MB
  • 7. Writing Note-To-Note Counterpoint in Strict Style/3. The Riemenschneider.mp4 11.8 MB
  • 6. Introduction to Counterpoint/4. First Species Counterpoint - Melodic Rules.mp4 11.5 MB
  • 12. Writing Second Species Counterpoint/4. Summary and Tips.mp4 11.1 MB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/10. The Locrian Mode.mp4 11.1 MB
  • 20. SATB Composition/2. SATB Notation.mp4 10.5 MB
  • 1. Welcome & Overview/5. Asking Questions.mp4 10.3 MB
  • 4. Deeper Into Intervals/2. Using Visual Landmarks to Quickly Identify Intervals.mp4 10.3 MB
  • 7. Writing Note-To-Note Counterpoint in Strict Style/1. The Beginning and The End.mp4 10.2 MB
  • 14. Fourth Species Counterpoint/8. Chains of Suspensions.mp4 10.1 MB
  • 6. Introduction to Counterpoint/2. The Different Species of Counterpoint.mp4 10.1 MB
  • 4. Deeper Into Intervals/8. The Tritone.mp4 10.0 MB
  • 18. Composing in an 18th Century Style/1. Overview of 18th Century Counterpoint.mp4 9.8 MB
  • 22. More with Cadences/1. The Perfect Authentic Cadence in 4 Voices.mp4 9.8 MB
  • 11. Melodic Embellishment in Second Species Counterpoint/2. Consonant Skips and Leaps.mp4 9.7 MB
  • 4. Deeper Into Intervals/5. Rules for Inversions of Intervals.mp4 9.4 MB
  • 13. Third Species Counterpoint/3. Double Neighbor Tones.mp4 9.3 MB
  • 14. Fourth Species Counterpoint/6. 9-8 Suspensions.mp4 9.3 MB
  • 3. Using Modes/6. Analysis Eleanor Rigby (The Beatles).mp4 9.3 MB
  • 3. Using Modes/5.1 21-Missa_Pange_Lingua_PDF.pdf.pdf 9.2 MB
  • 18. Composing in an 18th Century Style/7. Summary of 18th Century Counterpoint Rules.mp4 9.0 MB
  • 10. Second Species Counterpoint/2. Metric Accents and Diminutions.mp4 8.9 MB
  • 1. Welcome & Overview/2. Tools we will use in this course.mp4 8.9 MB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/8. The Mixolydian Mode.mp4 8.6 MB
  • 6. Introduction to Counterpoint/3. Connecting Melodic Intervals.mp4 8.4 MB
  • 14. Fourth Species Counterpoint/4. 4-3 Suspensions.mp4 8.1 MB
  • 21. Phrasing in SATB Composition/1. T-D-T (Tonic, Dominant, Tonic).mp4 8.1 MB
  • 22. More with Cadences/3. Half Cadences in 4 Voices.mp4 8.0 MB
  • 19. Melodic Embellishment (in Chorale Textures)/2. Suspensions.mp4 7.9 MB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/6. The Phrygian Mode.mp4 7.9 MB
  • 17. Welcome to Part 6!/2. Welcome to the Second Semester of College Music Theory.mp4 7.9 MB
  • 14. Fourth Species Counterpoint/2. Suspensions.mp4 7.7 MB
  • 10. Second Species Counterpoint/1. What's New In Second Species.mp4 7.7 MB
  • 9. Welcome to Part 5!/4. Review Modes.mp4 7.6 MB
  • 17. Welcome to Part 6!/5. Review First, Second, Third, & Fourth Species Counterpoint.mp4 7.5 MB
  • 18. Composing in an 18th Century Style/5. Cadences in BassMelody Counterpoint.mp4 7.3 MB
  • 21. Phrasing in SATB Composition/3. Establishing the Dominant Area.mp4 7.3 MB
  • 4. Deeper Into Intervals/4. MajorMinorPerfect Intervals.mp4 7.3 MB
  • 18. Composing in an 18th Century Style/4. Cadences.mp4 7.2 MB
  • 22. More with Cadences/2. The Imperfect Authentic Cadence in 4 Voices.mp4 7.2 MB
  • 19. Melodic Embellishment (in Chorale Textures)/4. Summary of Melodic Embellishment Rules.mp4 7.2 MB
  • 10. Second Species Counterpoint/3. Resolutions.mp4 7.1 MB
  • 20. SATB Composition/4. Voice Crossings.mp4 7.0 MB
  • 14. Fourth Species Counterpoint/5. 7-6 Suspensions.mp4 7.0 MB
  • 9. Welcome to Part 5!/2. Tools We Will Use.mp4 6.9 MB
  • 14. Fourth Species Counterpoint/9. Summary of 4th Species Rules.mp4 6.9 MB
  • 20. SATB Composition/3. SATB Ranges.mp4 6.7 MB
  • 24. Harmonizing Melodies/2. Texture.mp4 6.5 MB
  • 17. Welcome to Part 6!/3. Tools We Will Use in this Class.mp4 6.5 MB
  • 22. More with Cadences/4. Plagal Cadences in 4 Voices.mp4 6.4 MB
  • 25. Wrap Up/2. Thanks & Bye!.mp4 6.2 MB
  • 4. Deeper Into Intervals/1. Melodic Vs. Harmonic Intervals.mp4 6.1 MB
  • 21. Phrasing in SATB Composition/2. Establishing the Tonic Area.mp4 6.0 MB
  • 4. Deeper Into Intervals/9. Enharmonic Equivalence.mp4 6.0 MB
  • 13. Third Species Counterpoint/2. The Cambiata.mp4 5.9 MB
  • 14. Fourth Species Counterpoint/3. Going Downhill.mp4 5.7 MB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/1. Overview of Modes New Harmonic Territory.mp4 5.6 MB
  • 5. Consonance and Dissonance/3. Interval Classes.mp4 5.4 MB
  • 3. Using Modes/1. From Old to New Again Modern Uses of Modes.mp4 5.3 MB
  • 22. More with Cadences/5. Deceptive Cadences in 4 Voices.mp4 5.3 MB
  • 16. Part 5 Wrap Up/1. What Comes Next.mp4 5.3 MB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/7. The Lydian Mode.mp4 5.2 MB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/4. The Ionian Mode.mp4 4.8 MB
  • 20. SATB Composition/1. Writing SATB Lines.mp4 4.4 MB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/9. The Aeolian Mode.mp4 4.4 MB
  • 10. Second Species Counterpoint/4. Second Species Counterpoint Rules Summary.mp4 4.1 MB
  • 25. Wrap Up/1. What Comes Next.mp4 4.0 MB
  • 15. Fifth Species Counterpoint/3. A Brief History of Fux.mp4 3.7 MB
  • 4. Deeper Into Intervals/6. Summary of Intervals So Far.mp4 3.7 MB
  • 16. Part 5 Wrap Up/2. Thats it for Part 5!.mp4 3.6 MB
  • 8. Part 4 Wrap Up/1. What Next.mp4 3.4 MB
  • 8. Part 4 Wrap Up/2. Thats it for Part 4!.mp4 1.8 MB
  • 3. Using Modes/3.1 19-SimpsonsThemeMuseScoreV2.pdf.pdf 654.4 kB
  • 5. Consonance and Dissonance/5.1 38-J.S.Bach_Two_part_invention_no.8PDF.pdf.pdf 489.9 kB
  • 3. Using Modes/7.1 23-Eleanor_Rigby_PDF.pdf.pdf 418.3 kB
  • 17. Welcome to Part 6!/6.1 AllExamples.pdf.pdf 289.6 kB
  • 14. Fourth Species Counterpoint/10.1 32-Worksheet4.pdf.pdf 287.0 kB
  • 18. Composing in an 18th Century Style/8.1 13-Worksheet1v2.pdf.pdf 273.2 kB
  • 11. Melodic Embellishment in Second Species Counterpoint/4.1 13-Worksheet1.pdf.pdf 268.6 kB
  • 13. Third Species Counterpoint/4.1 22-Worksheet3.pdf.pdf 266.0 kB
  • 12. Writing Second Species Counterpoint/5.1 18-Worksheet2.pdf.pdf 260.6 kB
  • 22. More with Cadences/6.1 35-Worksheet5.pdf.pdf 171.9 kB
  • 1. Welcome & Overview/4.1 4-blank-manuscript-paper-usletter-12-staves.pdf.pdf 163.8 kB
  • 17. Welcome to Part 6!/4.1 4-blank-manuscript-paper-usletter-12-staves.pdf.pdf 163.8 kB
  • 9. Welcome to Part 5!/3.1 3-blank-manuscript-paper-usletter-12-staves.pdf.pdf 163.8 kB
  • 7. Writing Note-To-Note Counterpoint in Strict Style/5.1 53-Worksheet5.pdf.pdf 161.8 kB
  • 15. Fifth Species Counterpoint/4.1 36-Worksheet5.pdf.pdf 149.4 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/11.1 16-Worksheet1.pdf.pdf 123.6 kB
  • 19. Melodic Embellishment (in Chorale Textures)/5.1 18-Worksheet2.pdf.pdf 101.0 kB
  • 6. Introduction to Counterpoint/7.1 47-ExampleFilesPDF.pdf.pdf 93.9 kB
  • 25. Wrap Up/3.1 LastTipsV8.pdf.pdf 89.9 kB
  • 5. Consonance and Dissonance/6.1 39-Worksheet3.pdf.pdf 86.4 kB
  • 4. Deeper Into Intervals/10.1 33-Worksheet2.pdf.pdf 74.8 kB
  • 21. Phrasing in SATB Composition/4.1 29-Worksheet4v2.pdf.pdf 74.5 kB
  • 6. Introduction to Counterpoint/9.1 49-Worksheet4.pdf.pdf 70.5 kB
  • 20. SATB Composition/7.1 25-Worksheet3.pdf.pdf 65.1 kB
  • 17. Welcome to Part 6!/6.2 AllExamples.mscz.zip.zip 35.8 kB
  • 23. Voice-Leading on the Dominant/3.1 38-Worksheet6.pdf.pdf 26.5 kB
  • 7. Writing Note-To-Note Counterpoint in Strict Style/2. The Middle.vtt 23.0 kB
  • 6. Introduction to Counterpoint/6. The 4 Types of Contrapuntal Motion.vtt 21.1 kB
  • 13. Third Species Counterpoint/1. Four-to-One Counterpoint.vtt 21.1 kB
  • 7. Writing Note-To-Note Counterpoint in Strict Style/4. The Rules All Wrapped Up.vtt 20.2 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/3. The History of Modes.vtt 19.3 kB
  • 12. Writing Second Species Counterpoint/2. The Melody Notes.vtt 19.2 kB
  • 12. Writing Second Species Counterpoint/3. Harmony.vtt 17.4 kB
  • 9. Welcome to Part 5!/5. Review First Species Counterpoint.vtt 17.0 kB
  • 14. Fourth Species Counterpoint/1. Rhythmic Displacement.vtt 17.0 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/2. How Modes Work.vtt 16.4 kB
  • 23. Voice-Leading on the Dominant/2. Other Voice Leading Requirements.vtt 16.3 kB
  • 5. Consonance and Dissonance/2. Resolution.vtt 16.3 kB
  • 5. Consonance and Dissonance/1. Consonance and Dissonance in Intervals.vtt 16.0 kB
  • 3. Using Modes/4. Analysis Missa Pange Lingua (Choir).vtt 15.9 kB
  • 6. Introduction to Counterpoint/5. Connecting Harmonic Intervals.vtt 15.6 kB
  • 15. Fifth Species Counterpoint/2. Writing Free Counterpoint.vtt 15.5 kB
  • 24. Harmonizing Melodies/3. Danny Boy (Example).vtt 15.1 kB
  • 12. Writing Second Species Counterpoint/1. First and Last Measures.vtt 14.5 kB
  • 1. Welcome & Overview/6. Review Session Major and Minor Scales.vtt 14.5 kB
  • 19. Melodic Embellishment (in Chorale Textures)/1. Non-Chord Tones.vtt 14.4 kB
  • 6. Introduction to Counterpoint/1. What is Counterpoint.vtt 14.4 kB
  • 18. Composing in an 18th Century Style/6. Starting Intervals.vtt 14.3 kB
  • 11. Melodic Embellishment in Second Species Counterpoint/3. Neighbor Tones.vtt 13.9 kB
  • 3. Using Modes/2. Analysis The Simpsons (TV Theme Song).vtt 13.7 kB
  • 18. Composing in an 18th Century Style/2. Types of Motion.vtt 13.7 kB
  • 4. Deeper Into Intervals/3. Compound and Simple Intervals.vtt 13.6 kB
  • 4. Deeper Into Intervals/7. Augmented and Diminished Intervals.vtt 13.5 kB
  • 20. SATB Composition/5. Doubling.vtt 13.5 kB
  • 12. Writing Second Species Counterpoint/4. Summary and Tips.vtt 13.4 kB
  • 15. Fifth Species Counterpoint/1. Free Counterpoint.vtt 13.4 kB
  • 11. Melodic Embellishment in Second Species Counterpoint/1. Passing Tones.vtt 13.2 kB
  • 23. Voice-Leading on the Dominant/1. Resolving Leading Tones.vtt 13.0 kB
  • 7. Writing Note-To-Note Counterpoint in Strict Style/1. The Beginning and The End.vtt 12.6 kB
  • 6. Introduction to Counterpoint/8. Parallel Fifths and Octaves.vtt 12.4 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/5. The Dorian Mode.vtt 12.2 kB
  • 4. Deeper Into Intervals/2. Using Visual Landmarks to Quickly Identify Intervals.vtt 11.8 kB
  • 5. Consonance and Dissonance/4. Analyzing Intervals.vtt 11.8 kB
  • 20. SATB Composition/6. My Country Tis of Thee (Example).vtt 11.5 kB
  • 1. Welcome & Overview/7. Review Session Diatonic Chord Progressions.vtt 11.4 kB
  • 20. SATB Composition/2. SATB Notation.vtt 11.4 kB
  • 4. Deeper Into Intervals/5. Rules for Inversions of Intervals.vtt 11.2 kB
  • 18. Composing in an 18th Century Style/3. Chordal Dissonance.vtt 11.0 kB
  • 18. Composing in an 18th Century Style/1. Overview of 18th Century Counterpoint.vtt 11.0 kB
  • 1. Welcome & Overview/2. Tools we will use in this course.vtt 10.4 kB
  • 6. Introduction to Counterpoint/2. The Different Species of Counterpoint.vtt 10.2 kB
  • 6. Introduction to Counterpoint/4. First Species Counterpoint - Melodic Rules.vtt 10.1 kB
  • 10. Second Species Counterpoint/2. Metric Accents and Diminutions.vtt 9.7 kB
  • 4. Deeper Into Intervals/8. The Tritone.vtt 9.4 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/8. The Mixolydian Mode.vtt 9.4 kB
  • 19. Melodic Embellishment (in Chorale Textures)/3. Example Analysis.vtt 9.3 kB
  • 17. Welcome to Part 6!/5. Review First, Second, Third, & Fourth Species Counterpoint.vtt 9.3 kB
  • 17. Welcome to Part 6!/2. Welcome to the Second Semester of College Music Theory.vtt 9.3 kB
  • 9. Welcome to Part 5!/1. Introduction to Part 5.vtt 9.2 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/10. The Locrian Mode.vtt 9.1 kB
  • 13. Third Species Counterpoint/3. Double Neighbor Tones.vtt 9.0 kB
  • 21. Phrasing in SATB Composition/1. T-D-T (Tonic, Dominant, Tonic).vtt 9.0 kB
  • 6. Introduction to Counterpoint/3. Connecting Melodic Intervals.vtt 8.8 kB
  • 14. Fourth Species Counterpoint/8. Chains of Suspensions.vtt 8.7 kB
  • 21. Phrasing in SATB Composition/3. Establishing the Dominant Area.vtt 8.5 kB
  • 11. Melodic Embellishment in Second Species Counterpoint/2. Consonant Skips and Leaps.vtt 8.5 kB
  • 10. Second Species Counterpoint/3. Resolutions.vtt 8.4 kB
  • 14. Fourth Species Counterpoint/9. Summary of 4th Species Rules.vtt 8.3 kB
  • 1. Welcome & Overview/1. Overview.vtt 8.3 kB
  • 22. More with Cadences/1. The Perfect Authentic Cadence in 4 Voices.vtt 8.3 kB
  • 4. Deeper Into Intervals/1. Melodic Vs. Harmonic Intervals.vtt 8.1 kB
  • 18. Composing in an 18th Century Style/7. Summary of 18th Century Counterpoint Rules.vtt 8.0 kB
  • 10. Second Species Counterpoint/1. What's New In Second Species.vtt 8.0 kB
  • 7. Writing Note-To-Note Counterpoint in Strict Style/3. The Riemenschneider.vtt 7.9 kB
  • 22. More with Cadences/3. Half Cadences in 4 Voices.vtt 7.9 kB
  • 18. Composing in an 18th Century Style/5. Cadences in BassMelody Counterpoint.vtt 7.8 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/6. The Phrygian Mode.vtt 7.7 kB
  • 22. More with Cadences/2. The Imperfect Authentic Cadence in 4 Voices.vtt 7.7 kB
  • 9. Welcome to Part 5!/2. Tools We Will Use.vtt 7.7 kB
  • 14. Fourth Species Counterpoint/6. 9-8 Suspensions.vtt 7.7 kB
  • 17. Welcome to Part 6!/3. Tools We Will Use in this Class.vtt 7.6 kB
  • 14. Fourth Species Counterpoint/2. Suspensions.vtt 7.6 kB
  • 19. Melodic Embellishment (in Chorale Textures)/2. Suspensions.vtt 7.5 kB
  • 18. Composing in an 18th Century Style/4. Cadences.vtt 7.5 kB
  • 17. Welcome to Part 6!/1. Introduction to Part 6.vtt 7.3 kB
  • 14. Fourth Species Counterpoint/7. Consonant Suspensions.vtt 7.2 kB
  • 14. Fourth Species Counterpoint/4. 4-3 Suspensions.vtt 7.2 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/1. Overview of Modes New Harmonic Territory.vtt 7.1 kB
  • 13. Third Species Counterpoint/2. The Cambiata.vtt 6.9 kB
  • 24. Harmonizing Melodies/1. Harmonic Rhythm.vtt 6.7 kB
  • 4. Deeper Into Intervals/4. MajorMinorPerfect Intervals.vtt 6.7 kB
  • 20. SATB Composition/3. SATB Ranges.vtt 6.7 kB
  • 19. Melodic Embellishment (in Chorale Textures)/4. Summary of Melodic Embellishment Rules.vtt 6.7 kB
  • 21. Phrasing in SATB Composition/2. Establishing the Tonic Area.vtt 6.4 kB
  • 5. Consonance and Dissonance/3. Interval Classes.vtt 6.4 kB
  • 9. Welcome to Part 5!/4. Review Modes.vtt 6.4 kB
  • 20. SATB Composition/4. Voice Crossings.vtt 6.3 kB
  • 24. Harmonizing Melodies/2. Texture.vtt 6.2 kB
  • 14. Fourth Species Counterpoint/3. Going Downhill.vtt 6.1 kB
  • 25. Wrap Up/2. Thanks & Bye!.vtt 6.0 kB
  • 22. More with Cadences/4. Plagal Cadences in 4 Voices.vtt 5.9 kB
  • 3. Using Modes/1. From Old to New Again Modern Uses of Modes.vtt 5.9 kB
  • 3. Using Modes/6. Analysis Eleanor Rigby (The Beatles).vtt 5.7 kB
  • 22. More with Cadences/5. Deceptive Cadences in 4 Voices.vtt 5.7 kB
  • 16. Part 5 Wrap Up/1. What Comes Next.vtt 5.5 kB
  • 14. Fourth Species Counterpoint/5. 7-6 Suspensions.vtt 5.4 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/7. The Lydian Mode.vtt 5.3 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/4. The Ionian Mode.vtt 5.3 kB
  • 10. Second Species Counterpoint/4. Second Species Counterpoint Rules Summary.vtt 5.2 kB
  • 4. Deeper Into Intervals/9. Enharmonic Equivalence.vtt 5.1 kB
  • 20. SATB Composition/1. Writing SATB Lines.vtt 5.1 kB
  • 16. Part 5 Wrap Up/2. Thats it for Part 5!.vtt 4.9 kB
  • 4. Deeper Into Intervals/6. Summary of Intervals So Far.vtt 4.8 kB
  • 2. Modes (The Musical Modes, AKA The Church Modes)/9. The Aeolian Mode.vtt 4.4 kB
  • 25. Wrap Up/3. Bonus Lecture Discount Offers & Mailing List.html 4.0 kB
  • 8. Part 4 Wrap Up/1. What Next.vtt 3.8 kB
  • 1. Welcome & Overview/5. Asking Questions.vtt 3.6 kB
  • 25. Wrap Up/1. What Comes Next.vtt 3.0 kB
  • 15. Fifth Species Counterpoint/3. A Brief History of Fux.vtt 2.9 kB
  • 8. Part 4 Wrap Up/2. Thats it for Part 4!.vtt 2.5 kB
  • 1. Welcome & Overview/3. Update! MuseScore 3.0.html 795 Bytes
  • 17. Welcome to Part 6!/6. A Master MuseScore File.html 548 Bytes
  • [FreeCourseLab.com].url 126 Bytes
  • 1. Welcome & Overview/4. [DOWNLOAD] Free Staff Paper.html 88 Bytes
  • 17. Welcome to Part 6!/4. [DOWNLOAD] Staff Paper.html 77 Bytes
  • 9. Welcome to Part 5!/3. [DOWNLOAD] Staff Paper.html 75 Bytes
  • 13. Third Species Counterpoint/4. [DOWNLOAD] Worksheet No. 3.html 53 Bytes
  • 22. More with Cadences/6. [DOWNLOAD] Worksheet No. 5.html 53 Bytes
  • 23. Voice-Leading on the Dominant/3. [DOWNLOAD] Worksheet No. 6.html 52 Bytes
  • 4. Deeper Into Intervals/10. [DOWNLOAD] Worksheet No. 2.html 52 Bytes
  • 3. Using Modes/3. [DOWNLOAD] The Simpsons (TV Theme Song) Sheet Music.html 51 Bytes
  • 3. Using Modes/5. [DOWNLOAD] Missa Pange Lingua (Choir) Sheet Music.html 51 Bytes
  • 3. Using Modes/7. [DOWNLOAD] Eleanor Rigby (The Beetles) Sheet Music.html 51 Bytes
  • 5. Consonance and Dissonance/5. [DOWNLOAD] Back 2 Part Invention No. 8.html 51 Bytes
  • 6. Introduction to Counterpoint/7. [DOWNLOAD] Example Analysis Files.html 51 Bytes
  • 2. Modes (The Musical Modes, AKA The Church Modes)/11. [DOWNLOAD] Worksheet No. 1.html 50 Bytes
  • 5. Consonance and Dissonance/6. [DOWNLOAD] Worksheet No. 3.html 50 Bytes
  • 15. Fifth Species Counterpoint/4. [DOWNLOAD] Worksheet No. 5.html 49 Bytes
  • 14. Fourth Species Counterpoint/10. [DOWNLOAD] Worksheet No. 4.html 48 Bytes
  • 7. Writing Note-To-Note Counterpoint in Strict Style/5. [DOWNLOAD] Worksheet No. 5.html 48 Bytes
  • 18. Composing in an 18th Century Style/8. [DOWNLOAD] Worksheet No. 1.html 47 Bytes
  • 11. Melodic Embellishment in Second Species Counterpoint/4. [DOWNLOAD] Worksheet No. 1.html 46 Bytes
  • 20. SATB Composition/7. [DOWNLOAD] Worksheet No. 3.html 39 Bytes
  • 6. Introduction to Counterpoint/9. [DOWNLOAD] Worksheet No. 4.html 36 Bytes
  • 12. Writing Second Species Counterpoint/5. [DOWNLOAD] Worksheet No. 2.html 34 Bytes
  • 19. Melodic Embellishment (in Chorale Textures)/5. [DOWNLOAD] Worksheet No. 2.html 23 Bytes
  • 21. Phrasing in SATB Composition/4. [DOWNLOAD] Worksheet No. 4.html 19 Bytes

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